Part 4 Prado Museum – Brueghel el Viejo, Jan -- Recua y gitanos en un bosque
1614, 36 cm x 43 cm, Lámina de cobre, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the foliage with meticulous detail, creating a sense of depth and enclosure. Light filters through the trees, illuminating patches of ground and highlighting individual leaves. The density of the vegetation contrasts sharply with the expansive vista visible in the background. Here we see a broad valley stretching towards distant mountains, partially obscured by atmospheric haze. A town or settlement is discernible on the far side of the valley, suggesting a connection to settled society despite the group’s itinerant lifestyle. Several birds are depicted in flight across the sky, adding a sense of movement and freedom to the scene.
The paintings subtexts revolve around themes of marginality and societal perception. The Roma people, often viewed with suspicion or prejudice, are presented not as menacing figures but as an ordinary group engaged in daily life. Their placement within the landscape suggests both their separation from mainstream society and their integration into the natural world. The distant town hints at a potential for interaction or conflict between these two worlds.
The artist’s choice of depicting this particular group, set against such a detailed backdrop, implies a commentary on social boundaries and the complexities of human existence. The vastness of the landscape dwarfs the figures, emphasizing their vulnerability yet also suggesting resilience in the face of societal pressures. The overall effect is one of quiet observation, inviting contemplation about identity, belonging, and the relationship between individuals and their environment.