Part 4 Prado Museum – Ruiz de la Iglesia, Francisco Ignacio -- La Asunción de la Virgen
1700, 188 cm x 149 cm, Lienzo, Lienzo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below her, a group of winged figures – presumably cherubs or angels – propel her ascent on a cloud-like structure. Their expressions are difficult to discern precisely, but they seem engaged in their task with earnest devotion. A cascade of blossoms falls from the ascending platform, scattering downwards towards an unseen base. This visual element introduces a sense of abundance and grace, while also suggesting a parting or farewell.
The sky itself is rendered with considerable dynamism. Dark, brooding clouds are punctuated by shafts of intense light, creating a theatrical effect that emphasizes the otherworldly nature of the event. The use of chiaroscuro – the contrast between light and dark – contributes to this drama, highlighting the central figure and drawing the viewers eye upwards.
The subtexts within the painting appear to revolve around themes of divine elevation, celestial grace, and perhaps a poignant sense of loss or transition. The falling flowers could symbolize earthly attachments being left behind as the figure ascends to a higher realm. The dramatic lighting and swirling clouds evoke a feeling of transcendence, suggesting a moment of profound spiritual significance. The composition’s verticality reinforces the idea of an upward journey, both physical and metaphorical. Overall, the work conveys a powerful sense of religious devotion and awe.