We know those who sing loudly and do not know those who shed bitter tears Vladimir Taburin (1870-1954)

The artwork presents a pastoral scene set within a verdant woodland environment. Two young boys dominate the foreground; one strums a stringed instrument – likely a mandolin or similar folk lute – while the other sings with unrestrained enthusiasm, his mouth open in a wide expression of joy. Both are dressed in traditional attire, suggesting a rural or regional identity. The clothing includes vibrant reds and greens, accented by dark leather boots and distinctive headwear adorned with foliage.
To the right, partially obscured by a tree trunk, sits a young woman. Her posture is withdrawn; she appears to be weeping, her face hidden behind a kerchief. This contrast between the boisterous celebration of the boys and the solitary sorrow of the girl immediately establishes a thematic tension within the composition. The placement of the figure in shadow further emphasizes her isolation and emotional distress.
The background depicts a dense forest with dappled sunlight filtering through the leaves, creating an atmosphere of idyllic tranquility. However, this serenity is subtly undermined by the implied narrative unfolding in the foreground. The juxtaposition of carefree revelry and quiet grief suggests a commentary on the complexities of human experience – the disparity between outward appearances and inner realities.
The inscription beneath the image reinforces this interpretation. It speaks of knowing those who sing loudly but not those who shed bitter tears, directly addressing the dichotomy presented visually. This textual element elevates the work beyond a simple depiction of rural life; it becomes an exploration of empathy, understanding, and the hidden burdens carried by individuals within a community. The artist seems to be suggesting that outward displays of joy often mask deeper emotional struggles, and true connection requires recognizing the silent suffering of others.