Many choose not to be married Vladimir Taburin (1870-1954)

The scene unfolds outdoors, likely in a rural setting suggested by the foliage framing the composition and the earthy tones dominating the palette. Three figures are arranged on a weathered wooden bench: two women and a young man. The woman on the left wears a traditional headscarf and a simple blouse with an apron; her gaze is directed towards the young man, and she appears to be whispering or sharing something with the woman beside her. This second woman, seated in the center, has a more elaborate embroidered bodice and a concerned expression as she looks at the young man.
The young man sits on the far right of the bench, his posture suggesting dejection or discomfort. His head is bowed, and he stares downwards, seemingly avoiding eye contact with the women. He wears traditional clothing, including high boots that appear to be loosely fastened or partially undone, a detail which might symbolize a lack of readiness or stability.
The lighting is soft and diffused, creating an atmosphere of quiet observation rather than dramatic tension. The brushwork appears somewhat loose and painterly, characteristic of illustrative styles common in the late nineteenth or early twentieth century.
Beneath the image, Cyrillic text provides a caption: Many choose not to be married. This inscription offers a crucial key to understanding the scene’s subtext. It suggests that the depicted interaction is related to courtship or marriage prospects, and that the young mans apparent reluctance or sadness might stem from his unwillingness to enter into matrimony. The womens expressions – one conspiratorial, the other concerned – imply they are discussing this very issue.
The painting’s narrative isn’t explicit; it leaves room for interpretation regarding the reasons behind the young man’s hesitation. It could be a commentary on societal expectations surrounding marriage, an exploration of individual choice versus familial pressure, or simply a depiction of a moment of awkwardness and uncertainty in a courtship ritual. The overall effect is one of gentle melancholy and social observation, hinting at complexities within traditional rural life.