Roerich N.K. – Old Novgorod. Patio
1918. Oil on plywood. 25 x 54 cm.
Location: Brandeis University, Rose Art Museum. Waltham, Massachusetts, USA. (there is evidence that the entire collection is sold out)
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The landscape surrounding the buildings is equally restrained in its palette. A body of water stretches into the distance, reflecting the pale yellow sky above. The horizon line is defined by a range of low-lying hills, their forms softened and blurred by atmospheric perspective. The overall effect is one of quietude and remoteness.
The artist’s choice to depict this scene in broad, flat planes of color contributes to a sense of stylized representation rather than photographic realism. Theres an intentional reduction of detail that emphasizes the essential forms and spatial relationships. This simplification lends the work a certain timeless quality; it feels less like a specific moment captured in time and more like an evocation of a particular place and its enduring character.
Subtly, there’s a suggestion of melancholy embedded within the scene. The muted colors, the aged buildings, and the vastness of the landscape all contribute to a feeling of isolation and perhaps even loss. It is not a celebratory depiction; instead, it seems to contemplate the passage of time and the quiet dignity of a place seemingly untouched by modern progress. The elevated position of the structures suggests both prominence and vulnerability – they command a view but are also exposed to the elements. This duality hints at a complex narrative about resilience and endurance in the face of an uncertain future.