Roerich N.K. – Sketch of costume Boyarinya (wife boyar)
1919. Gouache on paper, graphite pencil, bronze paint, ink brush. 30.5 x 23.0 cm.
Location: St. Petersburg State Museum of Theater and Music. Russian
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The artist employed bold brushstrokes and a limited palette, prioritizing color impact over meticulous detail. This approach lends an immediacy to the work, suggesting it might be a preparatory sketch rather than a finished piece. The rendering is somewhat simplified; facial features are minimal, and the body appears slightly elongated, contributing to a stylized representation of the subject.
Behind the central figure, a rudimentary landscape unfolds. A series of small, block-like structures – likely intended as buildings or dwellings – are arranged along a horizon line. These forms are rendered in a naive style with simplified details, further reinforcing the sketchs preliminary nature and perhaps hinting at a folk art influence. To the right, a faint outline of another figure is visible, sketched lightly in pencil; this appears to be an alternative design for the costume, offering insight into the artist’s creative process.
The subtexts within the drawing revolve around themes of power, tradition, and social hierarchy. The elaborate costume clearly signifies high status within a specific societal structure – likely that of nobility or aristocracy. The architectural elements in the background suggest a connection to a particular place or community, grounding the figure within a defined cultural context. The sketch’s unfinished quality invites speculation about its purpose: perhaps it was intended for theatrical production, historical documentation, or simply as an exercise in costume design. Ultimately, the drawing offers a glimpse into a world of ritual and social distinction, captured through a distinctive artistic lens that prioritizes symbolic representation over realistic depiction.