Roerich N.K. – Death Oz (2 )
Cardboard, gouache 53 x 75 cm
Location: Moscow Art Theater Museum. Russia.Moskva
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Dominating the upper portion of the canvas is a large, elongated object – likely a boat or canoe – its hull painted in shades of blue and green. Its presence introduces an element of displacement and journey, suggesting a connection to water or travel that feels incongruous within this confined space. The vessel’s placement, angled diagonally across the room, disrupts the spatial coherence and adds a dynamic tension to the scene.
The artist employed a thick impasto technique, evident in the visible brushstrokes which contribute to the tactile quality of the wood surfaces and the intensity of the firelight. Color is used expressively rather than realistically; the reds and oranges of the fire are intensified, while the timbers possess a range of browns and ochres that suggest age and decay.
Subtly placed within the scene are several domestic objects: a pot suspended over the fire, suggesting cooking or warmth, and what appears to be bedding or textiles draped along one wall. These details hint at human presence and habitation, yet they do not offer a clear narrative. The overall effect is less about depicting a specific event and more about conveying an atmosphere of isolation, memory, and perhaps even a latent melancholy.
The juxtaposition of the interior space with the implied exterior – represented by the boat – suggests themes of confinement versus freedom, or the tension between domesticity and wanderlust. The painting evokes a sense of introspection, inviting contemplation on the passage of time, the weight of history, and the enduring human need for shelter and connection.