Roerich N.K. – The castle of King Mark (2nd act)
1912. Paper on cardboard, charcoal, tempera, gouache, chalk. 55.5 x 80.6 cm.
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is predominantly cool – blues, violets, and grays – which lends a somber and somewhat melancholic tone to the scene. The limited use of lighter hues suggests moonlight or artificial illumination, further enhancing the sense of mystery. Brushstrokes are loose and expressive, contributing to a feeling of movement and dynamism within the composition. Details are simplified, prioritizing overall mood over precise representation.
A solitary figure is positioned on the staircase, appearing small in comparison to the monumental castle. This placement emphasizes the scale of the architecture and perhaps suggests vulnerability or insignificance within this grand setting. The figures posture is ambiguous; it’s difficult to discern their intent or emotional state.
The painting conveys a sense of isolation and foreboding. The darkness, the imposing structure, and the solitary figure all contribute to an atmosphere of suspense and potential danger. It seems likely that the scene depicts a place steeped in secrets and shadowed by past events. The castle itself becomes a symbol of power, authority, and perhaps even oppression. The surrounding foliage could be interpreted as both protective and restrictive, hinting at hidden truths or dangers lurking within. Overall, the work evokes a feeling of unease and anticipation, suggesting that something significant is about to unfold.