Chart sprang good (boxes) Roerich N.K. (Part 2)

The composition presents a symmetrical arrangement centered around a circular motif. The background is dominated by a warm, golden hue, suggesting a sense of richness or perhaps even antiquity. Framing this central space are stylized vegetal forms in shades of green and yellow, resembling elaborate foliage or decorative borders.
At the apex of the design, two avian figures are positioned, their bodies rendered in vibrant orange tones. They appear to be emerging from the leafy structures above, with their wings outstretched as if poised for flight. Below these upper birds, a similar arrangement is repeated, though the lower birds are depicted in profile, facing outwards.
The central circular element holds significant visual weight. Within it, an abstract symbol – a stylized spiral or knot – is rendered in turquoise and outlined with a darker hue. This symbol’s precise meaning remains ambiguous, but its placement at the heart of the composition suggests importance or centrality to the works overall concept.
The color palette is striking: the contrast between the warm gold background, the vivid orange birds, and the cool turquoise central motif creates visual dynamism. The stylized nature of the forms – the flattened perspective, simplified shapes, and decorative quality – suggest a focus on pattern and design over realistic representation.
Subtly, theres an impression of cyclical renewal or interconnectedness. The repeated avian figures, the spiral symbol, and the enveloping vegetal forms all contribute to this sense of continuous movement and organic growth. One might interpret the birds as symbols of communication or messengers, while the central motif could represent a source of life or knowledge. Ultimately, the work seems less concerned with narrative than with exploring formal relationships and evoking a mood of stylized elegance and symbolic resonance.