Dragged dragged Roerich N.K. (Part 2)

The composition presents a scene dominated by several longships drawn ashore onto a rocky beach. The landscape is rugged and mountainous, with a body of water extending into the distance, reflecting the muted tones of the sky. A dense forest occupies the right edge of the canvas, contrasting with the open expanse of the shoreline.
Here we see a procession of figures moving towards the center of the scene. They are clad in long, flowing garments of a pale hue, their faces obscured or turned away from the viewer. Two individuals, positioned on either side of the group, appear to be guiding or pulling the ships with ropes; they wear simpler attire and hats that partially conceal their heads. The figures’ posture suggests a solemnity or ritualistic purpose.
The artist employed a palette characterized by cool blues, greens, and browns, lending an atmosphere of melancholy and stillness to the work. The brushwork is visible, contributing to a textured surface and a sense of immediacy. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, which enhances the dramatic effect.
Subtexts within this painting seem to revolve around themes of journey, loss, or remembrance. The ships themselves, traditionally associated with seafaring cultures and exploration, are rendered motionless on land, suggesting a cessation of activity or perhaps a symbolic return. The procession of figures evokes a sense of mourning or a ceremonial burial – a common practice involving the disposal of vessels after the death of an important person. The obscured faces of the individuals contribute to a feeling of anonymity and universality; they could represent any community engaged in this solemn act.
The landscape, while beautiful, is also imposing and unforgiving, hinting at the power of nature and the fragility of human endeavors. Overall, the painting conveys a profound sense of history, tradition, and the cyclical nature of life and death.