Hilly terrain Roerich N.K. (Part 2)

The drawing presents a panoramic view of undulating hills and mountains receding into the distance. The artist employs a linear style, utilizing closely spaced parallel lines to suggest form and depth within the landscape. These lines are not consistently applied; they vary in thickness and density, contributing to a sense of immediacy and perhaps even a hurried execution.
The composition is dominated by the repetition of these hilly forms, creating a rhythmic pattern across the page. The artist has chosen a high vantage point, allowing for an expansive view that emphasizes the vastness of the terrain. Individual peaks are delineated with sharper lines, while the intervening valleys are suggested through subtle shifts in contour and shading.
Scattered throughout the drawing are handwritten notations – likely place names or topographical descriptions – rendered in a cursive script. These annotations appear to be integrated directly into the landscape, blurring the boundary between representation and documentation. The placement of these labels suggests an attempt at mapping or cataloging the features of this particular location.
The overall effect is one of observation rather than idealized beauty. There’s a functional quality to the drawing; it feels less like an aesthetic exploration and more like a record of a specific place, perhaps made for personal reference or scientific study. The lack of tonal variation and the reliance on line work contribute to this impression of directness and objectivity.
The small figure in the lower right corner, rendered with minimal detail, serves as a scale element, emphasizing the immensity of the landscape and the relative insignificance of human presence within it. This placement reinforces the drawing’s focus on the natural environment rather than any narrative involving people.