Roerich N.K. – Mother Solveig
1912. Paper gray cardboard, tempera, gouache, white, graphite pencil. 24.2 x 16 cm.
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
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Her face is deeply etched with lines, conveying a sense of lived experience and perhaps hardship. Her eyes are partially obscured by heavy lids, lending an air of quiet contemplation or resignation. A large, intricately folded headscarf dominates the upper portion of the image, its crisp white contrasting sharply with the darker tones of her clothing.
The woman’s garments are characteristic of a rural folk tradition. She wears a long, dark blue skirt, layered over what appears to be a lighter undergarment. A vest or bodice, featuring green and red panels, is worn over a cream-colored blouse with full sleeves. The details in the rendering of the fabric suggest texture and weight, contributing to the impression of authenticity.
She leans heavily on a wooden staff, which provides support for her gait. A woven basket hangs from her arm, hinting at her role as a provider or gatherer. Her footwear consists of sturdy, clunky shoes that further reinforce the image of someone accustomed to physical labor and rural life.
Beyond the straightforward depiction of an elderly woman in traditional dress, the drawing seems to explore themes of resilience and endurance. The figure’s posture and facial expression suggest a quiet dignity despite the evident signs of age and potential hardship. There is a sense of connection to tradition and place embedded within her appearance; she embodies a cultural heritage rooted in rural life.
The muted color palette, dominated by blues, greens, reds, and creams, contributes to a somber yet dignified atmosphere. The artist’s use of light and shadow emphasizes the contours of her face and clothing, drawing attention to the details that define her character. Ultimately, the work evokes a feeling of respect for an individual who represents a link to a fading way of life.