Kiss the Earth. Third option. Study Roerich N.K. (Part 2)

The composition presents a stylized landscape dominated by a central hill or mound. The artist has rendered this landform with a pronounced emphasis on geometric forms and flattened perspective, eschewing naturalistic representation in favor of a more symbolic approach. A vibrant green covers the majority of the terrain, punctuated by patches of yellow-orange that suggest vegetation or perhaps mineral deposits. Darker tones are used to delineate rocks and shadows, adding depth without resorting to traditional shading techniques.
Several small bodies of water appear scattered across the scene; their blue hues provide a stark contrast against the surrounding greenery. The sky is depicted as a series of horizontal bands in shades of grey and blue, creating a sense of atmospheric weight and contributing to the overall flatness of the image. Sparse, stylized trees are placed along the edges of the landscape, further reinforcing the simplified aesthetic.
The painting’s subtexts seem rooted in an exploration of humanitys relationship with nature. The central hill, elevated above the surrounding terrain, could be interpreted as a symbol of spiritual aspiration or connection to the earth. Its prominence suggests importance and reverence. The stylized rendering of natural elements implies a deliberate distancing from direct observation, suggesting instead a focus on essential qualities rather than superficial details.
The limited color palette and geometric forms contribute to an atmosphere of quiet contemplation. There is a sense of order and harmony within the scene, but also a certain austerity that invites reflection on the fundamental aspects of existence and our place within the natural world. The overall effect is one of symbolic representation over literal depiction, hinting at deeper philosophical or spiritual meanings embedded within the landscape.