Sketch of costume Maiden and King Berendey (Maiden and Berendey) Roerich N.K. (Part 2)

The drawing presents two figures in a stylized manner, seemingly engaged in a formal interaction. A young woman stands adjacent to an older man, both rendered with elongated proportions and simplified features characteristic of folk art or theatrical design. The womans gaze is directed slightly downward, conveying a sense of deference or perhaps melancholy. Her posture is upright, yet her expression lacks animation.
The male figure, presumably the elder, holds what appears to be a scepter or staff, a clear indication of authority and status. His beard is long and neatly trimmed, adding to his dignified appearance. He stands with a certain rigidity, suggesting an adherence to protocol or tradition. The figures are clad in elaborate costumes; both feature intricate patterns and decorative borders that emphasize their ceremonial roles. The color palette is dominated by warm tones – reds, oranges, and yellows – contrasted against a dark green background, which creates a sense of depth and isolates the subjects from any discernible setting.
The composition’s flatness contributes to its theatrical quality; theres little attempt at realistic perspective or spatial representation. The figures appear as if they are posed on a stage, ready for performance. This suggests that the work might be a costume design or preparatory sketch for a play or pageant.
Subtly, the drawing hints at themes of power and submission, tradition versus youth, and perhaps even a narrative of succession. The contrast between the youthful woman and the older man with his symbols of authority implies a transfer of responsibility or a generational shift. The overall effect is one of formality and ritual, evoking a sense of ancient customs and established hierarchies.