Roerich N.K. – Tristan (1st act)
1912. Paper on cardboard, graphite pencil, watercolor, tempera, bronze. 25.2 x 15.5 cm.
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
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The figure’s garments are richly detailed. A deep crimson cloak dominates the composition, its surface adorned with intricate patterns of white embroidery that resemble stylized flames or geometric motifs. Beneath the cloak, a similarly patterned tunic is visible, suggesting layers of authority and status. The collar features a repeating triangular design, adding to the overall sense of formality and ceremonial importance.
The figure holds a sword in one hand and what appears to be a ceremonial dagger in the other. These objects are rendered with meticulous attention to detail, highlighting their metallic sheen and intricate hilts. They signify power, defense, and potentially, violence or conflict – themes likely central to the narrative context of this drawing.
Flanking the figure are additional accessories: a decorative brooch and an ornate pendant suspended from a chain. These items further emphasize the character’s wealth and position within a hierarchical structure. Their placement outside the main figures body creates a sense of detachment, as if they represent attributes or symbols rather than personal possessions.
The overall effect is one of theatricality and symbolic weight. The absence of a face, combined with the opulent costume and weaponry, suggests a character defined by function and status rather than personality. It’s likely that this drawing served as a design for a stage production, intended to convey an impression of regal power and dramatic tension through visual cues alone. The color palette – dominated by crimson and white against the soft rose background – contributes to a sense of heightened drama and symbolic significance.