Roerich N.K. – Human forefathers
1911. Tempera on cardboard. 69.3 x 89.8 cm.
Location: Ashmolean Museum. United Kingdom.Oxford
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The setting is dominated by an expansive panorama of undulating hills and valleys, rendered in a palette of greens, browns, and muted purples. The horizon line stretches far into the distance, suggesting immense scale and depth. A winding river snakes through the valley floor, reflecting the light from the sky above. The vegetation appears lush and abundant, with scattered trees punctuating the landscape.
Surrounding the central figure are several large bears, depicted in a manner that suggests both proximity and indifference. They occupy various positions – some lying down, others seemingly observing the man – without exhibiting any overt signs of aggression or fear. This co-existence between human and animal is striking.
The painting’s color scheme contributes to its overall mood; the warm tones of the sky contrast with the cooler greens and browns of the landscape, creating a sense of tranquility and timelessness. The artists use of broad brushstrokes lends a somewhat stylized quality to the work, emphasizing form over precise detail.
Subtly, the scene evokes themes of humanity’s origins and relationship with nature. The man’s posture suggests contemplation or perhaps an attempt at communication – a symbolic gesture towards the wildness surrounding him. The presence of the bears introduces a primal element, hinting at a period when humans shared their environment with powerful creatures. It is possible to interpret this as a representation of early human interaction with the natural world, where survival depended on understanding and respecting the forces around them. The landscape itself becomes symbolic – a vast, untamed territory representing both opportunity and challenge for humankinds nascent existence.