Roerich N.K. – Pantelejmon healer
1916. Tempera on canvas. 130 x 178,5 cm.
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The sky occupies a significant portion of the canvas; it’s rendered with swirling brushstrokes in shades of blue and grey, interspersed with voluminous white clouds. The light source is diffused, casting a soft glow across the scene without creating harsh shadows. This contributes to an overall sense of serenity and quietude.
The artist employed a palette that emphasizes cool tones – blues, greens, and greys – with touches of yellow in the wildflowers and on the distant hills. The brushwork appears loose and expressive, particularly evident in the rendering of the sky and foliage. There is a deliberate flatness to the perspective; depth is suggested through color gradation rather than precise spatial relationships.
Subtly, the painting conveys themes of solitude, faith, and connection with nature. The bowed figure suggests humility and introspection, while his placement within this expansive landscape implies a search for meaning or solace. The natural elements – the sky, hills, and vegetation – are not merely background but seem to actively participate in the scene’s emotional weight. They evoke a sense of timelessness and immensity, dwarfing the individual figure and prompting reflection on humanitys place within the larger cosmos.
The absence of other human figures reinforces this feeling of isolation and emphasizes the personal nature of the depicted experience. The composition avoids any overt narrative; instead, it invites contemplation and encourages viewers to project their own interpretations onto the scene.