Roerich N.K. – Brangane (1st act)
Paper on cardboard, graphite pencil, watercolor, tempera, bronze 248 x 161 cm
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
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The most striking element is the vibrant red garment dominating the visual field. It appears to be a long tunic or robe, its color intensely saturated and seemingly radiating light. A contrasting band of green encircles the lower hem, creating a distinct boundary between the upper and lower sections of the dress. The sleeves are wide and fall loosely, contributing to an overall impression of flowing fabric. A decorative collar in a similar shade of red frames her neck, while a headband with intricate detailing adorns her head, partially obscuring her face.
The figure’s features are rendered with minimal detail; the face is largely obscured by the headdress, and any attempt at individualization seems secondary to the symbolic weight of the costume. A heavy chain or necklace, embellished with a circular ornament, rests across her chest, adding another layer of visual complexity and potentially signifying status or authority.
To the right of the figure, a long, slender object resembling a ceremonial dagger is positioned vertically. Its golden hue contrasts sharply with the surrounding colors, drawing attention to its presence and suggesting a connection to power, ritual, or perhaps even conflict. The placement outside the main body of the figure creates a sense of separation, as if its an attribute rather than an integral part of her being.
The overall effect is one of stylized grandeur. The limited color palette, simplified forms, and lack of background detail contribute to a theatrical quality, suggesting that this is likely a costume design for a stage production. The figure’s posture and attire evoke associations with royalty or a mythological character – someone who embodies tradition, power, and perhaps a degree of melancholy or solemnity. The obscured face invites speculation about her identity and the narrative role she plays within the larger context of the work.