Roerich N.K. – Runaround (Dance girls)
Paper, gouache, tempera, white, pencil 325 x 57 cm
Location: Georgian State Museum of Arts. SH.YA. Amiranashvili. Georgia.Tbilisi
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The color palette is intensely vibrant, dominated by reds, yellows, oranges, and blues. These hues are not used naturalistically; instead, they function symbolically, amplifying the emotional intensity of the scene. The application of paint appears loose and expressive, with visible brushstrokes adding texture and further emphasizing the dynamism. Patterns and decorative motifs adorn the clothing of the dancers, creating a visual richness that borders on opulence. These patterns seem to echo and amplify the swirling movement of the figures themselves.
Beyond the immediate depiction of dance, subtexts relating to cultural identity and tradition emerge. The costumes suggest a specific regional or ethnic heritage, though it is difficult to pinpoint precisely which one. The exaggerated gestures and expressions hint at a ritualistic element, suggesting that this dance may be more than mere entertainment; it could be a form of communal expression, perhaps linked to fertility rites or seasonal celebrations.
The lack of a clear focal point contributes to the overall sense of chaos and abundance. No single figure dominates the scene; instead, each individual is integrated into the collective movement. This suggests a rejection of individualism in favor of a shared experience, a merging of identities within the context of tradition. The flattened perspective and intense color scheme create an atmosphere that is both celebratory and slightly unsettling, hinting at the power and potential volatility inherent in communal rituals.