Roerich N.K. – Woman of fashion. I act
1912. Cardboard, tempera, watercolor, silver, bronze and graphite pencil. 24.2 x 15.4 cm.
Location: Museum of Russian Art, Kiev (Київський музей росiйського мистецтва).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The posture suggests a performative stance; the figure seems to be engaged in an action or presentation, with one arm raised and the other bent at the elbow, holding what appears to be a long, slender object. The feet are positioned slightly apart, contributing to this sense of deliberate movement or display.
The background is not uniform; it exhibits a mottled quality achieved through layered brushstrokes, creating a visual depth that contrasts with the relatively flat depiction of the figure. This textural complexity might suggest an environment that is both chaotic and richly detailed. The dark border surrounding the image isolates the subject, intensifying focus on the individual and their presentation.
Subtleties within the work hint at themes of identity, display, and perhaps even satire. The exaggerated nature of the clothing and posture could be interpreted as a commentary on societal expectations or performativity in social settings. The obscured face invites speculation about the individuals identity – are they concealing themselves, or is the focus meant to be entirely on their outward appearance? The overall effect is one of theatricality, where the subject seems consciously aware of being observed and presenting an image for consumption.