Roerich N.K. – Saints left - Gleb custodian placed # 17
1920. Tempera on canvas. 91.4 x 91.4 cm.
Location: Oglethorpe University Museum of Art (University of Arts). USA.Atlanta, GA
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Below this elevated cityscape, a figure stands within an arched gateway cut into the massive red wall. The individual is clad in armor and holds a spear, indicating a military or protective role; their posture suggests vigilance and readiness. A halo encircles their head, marking them as a holy personage, likely a saint or guardian.
Two scrolls are positioned at the base of the composition, partially obscured by the foreground plane. The script on these scrolls is illegible but contributes to the overall sense of narrative or textual significance associated with the scene. They might represent divine pronouncements or testimonies related to the figure within the gate.
The arrangement of figures above the city suggests a procession or gathering of individuals ascending towards a luminous cloud formation. Their faces are not clearly defined, contributing to their symbolic rather than individual characterization. This upper portion seems to depict a heavenly realm, possibly representing salvation or divine reward.
The color palette is striking: the intense red of the walls contrasts sharply with the dark background and the lighter tones of the city above. The use of gold highlights on the domes and within the cloud formation draws attention to these elements, reinforcing their spiritual importance.
Subtly, the painting conveys themes of protection, faith, and divine intervention. The fortified city likely symbolizes a community or realm under spiritual guardianship. The figure at the gate embodies defense against external threats, both physical and spiritual. The celestial procession above suggests hope for transcendence and eternal life. Overall, the work presents a complex interplay between earthly concerns and heavenly aspirations, rendered through symbolic architecture, figures, and color.