Roerich N.K. – Scene with three figures in suits
1920. Paper, pencil, gouache and watercolor. 24 x 31 cm.
Location: Harvard University. USA, Cambridge, MA
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To the left stands another figure, clad in a dark suit accented by a vibrant red collar and hat. His posture is more rigid than that of the musician; he seems to be observing or participating in the performance with a degree of formality. He holds the same instrument as the central figure, but his expression is less animated, suggesting perhaps a role of accompaniment or instruction.
A third figure occupies the right side of the composition. This individual’s costume mirrors elements of the musicians – red and white patterns – but their posture is more passive; they appear to be standing slightly behind the others, observing the scene with a less engaged demeanor. The simplification of facial features across all three figures contributes to an overall sense of stylized representation rather than realistic portraiture.
The color palette is bold and limited, primarily utilizing red, white, and black against a pale background. This restricted range enhances the visual impact of the costumes and directs attention towards the central action. The flatness of the composition, with minimal use of perspective or shading, reinforces the impression of a theatrical presentation or folk ritual.
Subtextually, the work seems to explore themes of performance, tradition, and social hierarchy. The musician’s dynamic posture and expressive face suggest a celebration of artistic skill and cultural identity. The formal attire of the figure on the left hints at a possible connection to authority or established customs. The passive observer on the right might represent an audience member or someone less actively involved in the ritualistic performance. Overall, the painting conveys a sense of communal activity rooted in tradition, albeit presented through a highly stylized and somewhat enigmatic lens.