Tristan (3rd act) Roerich N.K. (Part 2)

The drawing presents a figure in what appears to be a theatrical costume design. The subject is depicted from the front, standing within a largely empty space indicated by the pale blue background. A sense of isolation pervades the composition due to this lack of contextual setting.
The individual wears a long, flowing garment rendered primarily in shades of yellow and cream. The fabric seems luxurious, suggested by the elaborate decorative band at the hemline featuring intricate patterns. Similarly, the collar is adorned with a complex design that draws attention to the neckline. The sleeves are wide and gathered at the wrists, held by rings on both hands. These details suggest a character of some status or refinement.
The facial features are sketched lightly in blue pencil, lacking detail and conveying an impression of anonymity rather than individual personality. This deliberate lack of specificity could indicate that the design is intended to be adaptable for different performers, or perhaps emphasizes the symbolic nature of the role. The hair appears to be bound up, further contributing to a sense of formality.
The posture is upright but relaxed; there’s no overt indication of emotion in the body language. This neutrality allows the viewer to project their own interpretations onto the figure.
The artists use of color and line creates a somewhat ethereal quality. The pale background and muted tones contribute to an atmosphere of melancholy or introspection, which aligns with the narrative context of a tragic drama. The sketch’s unfinished nature – the visible pencil lines and lack of shading in certain areas – suggests it is a preliminary study, a stage in the development of a more complete design.

The inscription at the bottom right corner, written in Cyrillic script, provides additional information about provenance or ownership but does not directly inform the visual analysis of the figure itself.