Edward Lear – The Marble Rocks
1882. 38×24
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a limited palette, primarily utilizing shades of grey, white, blue, and touches of green to convey the scenes atmosphere. The water surface reflects the sky and surrounding rock faces, creating a sense of depth and mirroring the grandeur of the environment. A small boat with several figures occupies the foreground, positioned near the lower center of the canvas. Their presence introduces a human element into this otherwise imposing natural setting, emphasizing the scale of the landscape.
The painting’s subtexts revolve around themes of sublime beauty and humanitys relationship to nature. The sheer size and geological complexity of the rock formations evoke feelings of awe and insignificance in the viewer. The muted color scheme contributes to a sense of tranquility and mystery, while the figures in the boat suggest exploration and an attempt to comprehend or conquer this vast environment.
The darkness surrounding the scene creates a framing effect, drawing attention towards the central vista and intensifying the feeling of enclosure within the gorge. This compositional choice also suggests a transition between known space and the unknown wilderness beyond. The overall impression is one of romantic grandeur, where nature’s power and beauty are presented as both captivating and potentially overwhelming.