Lorens Pasch the Younger (After) – Karl Fredrik Fredenheim (1748-1803)
1779.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire immediately signals status and rank. He wears a luxurious velvet coat in shades of russet and pink, draped across his shoulders with an air of casual elegance. A blue sash, adorned with what appears to be a decorative bow, crosses his chest, suggesting membership in an order or society. Several medals and ribbons are pinned to the sash, further emphasizing his position within a hierarchical structure. The crisp white linen shirt peeking from beneath the coat contrasts sharply with the richness of the velvet, highlighting the quality of the fabrics used. A ring is prominently displayed on his right hand, another indicator of wealth and social standing.
The artist has paid particular attention to rendering the subject’s hair, styled in a fashionable manner typical of the late 18th century – powdered white with elaborate curls cascading around his face and neck. The meticulous detail given to the texture of the hair suggests an intention to portray not only likeness but also refinement and taste.
The lighting is soft and diffused, illuminating the subject’s face and highlighting the textures of his clothing. This gentle illumination contributes to a sense of warmth and accessibility. The background remains dark and indistinct, drawing all attention towards the gentleman himself.
Subtly, the pose – with one hand resting casually on what appears to be a dark garment – suggests an ease and confidence that is characteristic of those accustomed to privilege. The overall impression conveyed is one of affluence, authority, and cultivated gentility. It’s likely intended as a statement of social identity rather than a purely representational depiction.