Lorens Pasch the Younger (Attributed) – Gustav I (c. 1497-1560), king of Sweden Gustav Vasa (1496-1560), king of Sweden
circa 1768. 98.5×78.5
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire suggests a position of considerable authority. A dark fur-lined garment dominates the visual field, its texture rendered with visible brushstrokes that add depth and richness. Beneath this, glimpses of elaborate embroidery are discernible, hinting at wealth and status. The headwear is complex, incorporating both fabric and what seems to be feathers or plumes, further emphasizing his elevated position.
His facial features are striking: a prominent nose, deep-set eyes, and a full beard that appears somewhat unkempt, lending him an air of ruggedness rather than pristine refinement. Theres a certain weariness evident in the lines around his eyes and mouth; it suggests a life marked by responsibility and perhaps hardship. He holds a staff or scepter in his left hand, its details obscured by shadow but clearly signifying power and dominion.
The color palette is dominated by dark tones – browns, blacks, and deep greens – which contribute to the somber mood of the piece. Light falls primarily on the face and hands, highlighting these areas while leaving much of the background in obscurity. This limited lighting creates a sense of drama and focuses attention squarely on the subject’s countenance.
Subtleties within the painting suggest more than just a straightforward depiction of power. The slightly disheveled appearance of his beard and clothing, coupled with the weary expression, imply a man burdened by leadership. It is not an image of triumphant glory but rather one that acknowledges the weight of responsibility. The obscured background could be interpreted as symbolic of the challenges and uncertainties he faced in his role. The staff, while representing authority, seems less a symbol of active rule and more a prop for a figure who has borne its burden for some time. Overall, the work conveys an impression of a ruler marked by experience, resilience, and perhaps even a degree of melancholy.