Piccio – Portrait of Countess Anastasia Spini
1840 circa
Location: Academy Carrara (Accademia Carrara), Bergamo.
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Here we see an elderly woman dressed in somber attire: a dark, high-necked gown accented by a crisp white ruff tied with a crimson ribbon. A shawl of similar hue drapes over her shoulders, adding warmth and visual weight to the figure. Her head is covered by a bonnet adorned with straw and ribbons, suggesting a degree of formality despite her age. The artist has meticulously captured the effects of time on her face – deep wrinkles etched around her eyes and mouth, a prominent nose, and skin bearing the marks of years lived.
To her left rests a small table upon which sits an inkwell, quill pen, and a closed book. This arrangement suggests intellectual pursuits or a connection to written communication, hinting at literacy or perhaps patronage of the arts. A bird, seemingly a sparrow, perches on the floor near her feet, adding a touch of unexpected life and domesticity to the scene.
The woman’s expression is complex; it is not overtly joyful but rather conveys a sense of quiet contemplation and perhaps even amusement. Her gaze is directed slightly off-center, as if acknowledging an unseen presence or recalling a memory. The positioning of her hands – one resting on her lap, the other lightly touching the shawl – contributes to this impression of composure and self-possession.
Subtly, the painting explores themes of age, wisdom, and social standing. The dark clothing and restrained setting suggest a life lived with dignity and perhaps some degree of austerity. The presence of writing implements implies intellectual engagement or a connection to learning. The sparrow, often associated with domesticity and simplicity, may symbolize humility or an appreciation for the small joys in life. Overall, the portrait offers a nuanced portrayal of an individual whose character is revealed through careful observation and subtle symbolic details.