Passions (triptych) Giovanni di Corraduccio (fl.1404-1437)

The triptych presents a complex narrative sequence unfolding across three hinged panels. The central panel is dominated by a crucifixion scene, rendered with considerable emotional intensity. Christ hangs suspended, his body marked by the wounds of suffering, while figures surrounding the cross display varying degrees of grief and despair. Above him, a celestial presence appears to oversee the event, bathed in radiant light.
The left wing depicts scenes leading up to the central event; here we see a gathering of individuals, some seemingly engaged in preparation or lamentation, others observing from a distance. The figures are arranged within a shallow pictorial space, their gestures and expressions conveying a sense of solemnity and anticipation. A procession moves towards what appears to be a tomb, suggesting an element of mourning and farewell.
The right wing illustrates events following the crucifixion, focusing on the descent from the cross and the entombment. The artist placed considerable emphasis on portraying the physical handling of Christ’s body, with figures carefully lowering him from the cross and carrying him towards the burial site. A sense of quiet sorrow pervades this section, contrasted by a few figures who appear to be engaged in more agitated actions.
The overall composition is characterized by a hierarchical arrangement, with the crucifixion elevated as the focal point. The use of gold leaf backgrounds creates an otherworldly atmosphere, emphasizing the spiritual significance of the depicted events. The artist’s choice of color palette – dominated by reds, blues, and golds – further contributes to the paintings emotional impact.
Subtleties in the figures’ expressions and gestures suggest a nuanced exploration of human emotions in response to profound loss and suffering. The inclusion of diverse individuals – both male and female, young and old – hints at a broader commentary on the communal experience of grief and faith. The meticulous detail given to clothing and accessories suggests an intention to portray specific social roles or identities within the narrative.

The triptych’s structure itself – the folding panels – implies a dynamic quality; it was likely designed for display in a devotional setting, allowing viewers to engage with different aspects of the story sequentially.