kom 4711 Knute Munson (1900-1967)

The composition presents a staged scene within what appears to be a bathroom setting. A woman is centrally positioned, partially draped in a towel and leaning against a green tub. Her pose suggests both relaxation and a deliberate presentation of her form. The artist has rendered her skin with a smooth, almost luminous quality, emphasizing the idealized physique characteristic of mid-20th century depictions of femininity.
Around this central figure are sketched figures, seemingly other models or assistants involved in the creation of the image. These sketches appear unfinished and layered over one another, creating a sense of behind-the-scenes activity. They contribute to an atmosphere that suggests a playful, almost voyeuristic glimpse into the process of artistic production.
The color palette is dominated by warm tones – pinks, yellows, and greens – which evoke a feeling of warmth and sensuality. The pink accents on the towel and bathing cap provide visual contrast against the woman’s skin and the muted background.
Text elements are integrated into the image, adding layers of meaning. A block of text positioned near the lower center reads A models job is to be seen / We like our fun – / but keep it clean. This statement attempts to frame the depiction as a lighthearted and innocent pursuit, while simultaneously acknowledging the inherent objectification involved in the modeling profession. Another phrase at the bottom right, “How would you like to share bubbles with me?” introduces an element of direct address, blurring the line between observer and participant.
The calendar format at the bottom anchors the image within a specific time frame (November 1947), further contextualizing it as a product of its era. The inclusion of dates reinforces the idea that this is not merely a work of art but also a commercial item intended for widespread distribution.
Subtly, the artwork explores themes of female representation, the construction of beauty standards, and the complexities of desire and objectification within popular culture. The juxtaposition of the idealized figure with the rough sketches suggests an awareness of the artificiality inherent in creating such images.