Iman Maleki – A Sunset In Tehran 2006
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below the sky, a row of buildings forms a horizontal band, their details softened by distance and the dim light. The street itself is wet, reflecting the colors of the sky and the headlights of approaching vehicles. These cars, rendered as blurred shapes with glowing red taillights, create a sense of movement and urban activity. A streetlight casts a pale yellow glow on the immediate foreground, further emphasizing the contrast between illumination and shadow.
The painting’s palette is largely muted, relying on cool tones to convey a mood of melancholy or quiet contemplation. The limited color range – primarily blues, purples, oranges, and grays – contributes to a somber atmosphere. The artists brushwork appears loose and expressive, particularly in the depiction of the sky, which suggests an emotional intensity.
Subtly, the work hints at themes of modernity and urban alienation. The imposing presence of the utility poles and wires speaks to the pervasive influence of infrastructure on everyday life. The blurred vehicles suggest a sense of anonymity and detachment within the city’s flow. The encroaching darkness could be interpreted as symbolic of uncertainty or an impending shift in circumstances, while the fading sunset might represent lost opportunities or a nostalgic longing for what has passed. Overall, the painting evokes a feeling of quiet observation, capturing a fleeting moment of urban life tinged with a sense of introspection and perhaps, a touch of melancholy.