Maria Ricci, gm artist Carl Gustaf Plagemann Emma Ekwall (1838-1925)

The portrait presents a young woman seated against a backdrop of richly patterned dark red damask fabric. She is positioned slightly off-center, gazing directly at the viewer with a composed and somewhat melancholic expression. Her hair, neatly styled and pulled back from her face, reveals a high forehead, characteristic of beauty ideals prevalent in the mid-19th century.
The woman’s attire consists of a white dress or gown, adorned with delicate lace detailing around the neckline and sleeves. A large red rosette is pinned at the throat, providing a striking contrast to the otherwise monochromatic palette. In her left hand, she holds a pair of white gloves and what appears to be a small, ornate opera glass, suggesting leisure and social standing. The placement of these objects hints at an engagement in refined activities – attending performances or socializing within elite circles.
The artist’s technique emphasizes realism; the skin tones are rendered with meticulous attention to detail, capturing subtle variations in light and shadow. The textures of the fabric – both the dress and the damask background – are convincingly portrayed. A sense of quiet dignity pervades the composition.
Subtleties within the portrait suggest a narrative beyond mere representation. The direct gaze establishes an intimate connection with the viewer, inviting speculation about her character and circumstances. The slightly downturned mouth might convey a hint of sadness or introspection, adding depth to her persona. The opera glass, while signifying social status, could also be interpreted as a symbol of observation – a desire to witness events from a distance, perhaps reflecting a sense of detachment or reserve.
The dark background serves to isolate the figure and focus attention on her face and attire, reinforcing her importance within the composition. The inscription visible in the upper left corner provides contextual information but also contributes to the overall formality and historical significance of the work.