Cora on dry barrel 1889-1890 26, 1h17. 9 Ivan Ivanovich Shishkin (1832-1898)

The composition centers on a substantial tree trunk, dominating the vertical space. Its surface is rendered with a palpable physicality; thick impasto creates a textured effect that emphasizes the woods grain and decay. The color palette is muted, primarily consisting of browns, ochres, and grays, punctuated by subtle hints of green within the surrounding foliage.
Here we see a deliberate avoidance of idealized naturalism. The trunk isn’t presented as an object of beauty or strength, but rather as a testament to times passage and the processes of decomposition. Numerous broken branches jut out from its sides, appearing almost like skeletal remains. These fragments are not integrated seamlessly into the background; instead, they stand out with their own distinct forms, contributing to a sense of fragmentation and loss.
The backdrop is less defined, suggested through loose brushstrokes that evoke a field or meadow. The indistinctness of this area serves to further isolate the trunk, drawing attention to its solitary presence. Light falls unevenly across the surface, creating areas of shadow and highlighting the rough texture. This lighting contributes to the overall somber mood.
Subtleties in the painting suggest themes beyond mere observation of nature. The decay of the tree could be interpreted as a metaphor for mortality or the impermanence of life. The broken branches might symbolize loss, trauma, or disruption. The isolated placement of the trunk implies resilience and endurance despite adversity. Theres an underlying sense of melancholy, but also a quiet dignity in the depiction of this weathered object. The artist seems to be exploring not just what is visible, but also the emotional weight carried by objects bearing witness to time’s relentless march.