Giulio Cesare Procaccini – Susanna and the Elders
1610-1620 circa
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see the woman positioned centrally, her body angled towards the approaching figures. Her expression conveys a complex mixture of distress and defiance. The artist has rendered her skin with a luminous quality that contrasts sharply with the darker tones surrounding her, drawing immediate attention to her vulnerability. She is restrained, her hands clasped tightly as if attempting to ward off the advances of the men.
The two elders dominate the right side of the canvas. One, positioned closer to the woman, leans in with an aggressive posture, his hand reaching towards her. His face is deeply lined and shadowed, conveying a sense of authority and perhaps predatory intent. The other elder stands slightly behind him, gesturing emphatically with his raised hand, seemingly reinforcing the actions of his companion. Their clothing – rich fabrics adorned with intricate patterns – suggests their status and power within the depicted society.
At the lower right corner, a small, nude figure is positioned in a somewhat ambiguous role. It appears to be an adolescent male, possibly a servant or attendant, lying on the ground amidst foliage. His gaze is directed towards the central action, but his posture suggests helplessness rather than active participation. The inclusion of this figure adds another layer of complexity to the narrative, hinting at themes of servitude and observation.
The artist’s use of chiaroscuro – the dramatic contrast between light and dark – heightens the emotional intensity of the scene. Deep shadows obscure portions of the figures faces and bodies, creating an atmosphere of secrecy and menace. The limited color palette, dominated by earthy tones and punctuated by flashes of white and red in the clothing, further contributes to the overall sense of drama and urgency.
Subtly, the painting explores themes of power dynamics, vulnerability, and societal judgment. The woman’s predicament suggests a situation where innocence is threatened by those in positions of authority. The presence of the observing figure introduces an element of voyeurism, implying that this event is being witnessed and potentially judged by others. Ultimately, the work invites contemplation on the complexities of human interaction and the precariousness of individual agency within social structures.