Giulio Cesare Procaccini – Virgin and Child with Angels
~1610. 57×41 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child clings to his mother, his face turned in close proximity to hers. His body is rendered with a focus on anatomical detail, highlighting the softness of infant flesh and the vulnerability inherent in early childhood. He appears to be reaching for nourishment, further reinforcing the theme of maternal care.
Flanking this central grouping are two figures, presumably celestial beings, positioned slightly behind and above the mother and child. Their faces are serene, their expressions conveying a sense of watchful benevolence. They are partially obscured by shadow, contributing to an atmosphere of reverence and mystery surrounding the primary subject matter. The angels’ presence elevates the scene beyond a simple depiction of motherhood; it suggests a divine or sacred context.
The color palette is dominated by warm tones – reds, browns, and flesh colors – which contribute to the overall sense of intimacy and warmth. A dark background serves to isolate the figures, drawing attention to their interaction and emphasizing the dramatic lighting that illuminates them. The use of chiaroscuro creates a palpable depth within the composition, enhancing the emotional impact of the scene.
Subtly, there is an element of melancholy present. While the image celebrates maternal love, the woman’s posture and expression hint at a quiet sorrow or contemplation. This complexity adds layers to the narrative, suggesting that motherhood may involve not only joy but also sacrifice and introspection. The angels presence could be interpreted as offering solace or support in times of hardship.