Self Portrait 1800 Caspar David Friedrich (1774-1840)

Here we observe a portrait executed in graphite on paper. The subject is presented from the chest upwards, facing directly toward the viewer. A bust-length composition, it emphasizes the individuals countenance and upper body.
The artist has rendered the figure with a notable degree of realism, though the style leans towards a rapid, almost sketch-like quality. Hatching and cross-hatching are employed extensively to model form and suggest tonal variations. The face is characterized by wide-set eyes, a prominent nose, and full lips, all contributing to an expression that appears both earnest and slightly melancholic. A furrowed brow hints at introspection or perhaps a degree of anxiety.
The subject’s hair is cropped short, closely following the contours of his head. He wears what seems to be a high-collared coat with visible buttons, rendered with quick, gestural lines that capture the texture and drape of the fabric. The detailing on the clothing appears less precise than the facial features, suggesting a prioritization of capturing the essence of the individual rather than meticulous representation.
The background is left largely unrendered, allowing the focus to remain squarely on the subject. A small inscription in script can be seen near the upper left corner; its content remains illegible without further examination but likely provides contextual information regarding the work’s creation or provenance.
Subtly, the direct gaze of the sitter establishes a connection with the viewer, inviting contemplation and perhaps even empathy. The somewhat unidealized depiction – the absence of softening features or elaborate ornamentation – suggests an intention to portray the subject in a state of genuine vulnerability and self-awareness. It is not a portrait designed for grand display but rather seems intended as a personal record, a moment captured with immediacy and honesty.