Mary Robinson (1758-1810) as Perdita John Hoppner (1758-1810)

The portrait presents a woman in what appears to be a theatrical costume, set against a dark, indistinct background that emphasizes her figure and attire. The composition is a bust-length depiction, focusing on the upper body and face. She gazes directly at the viewer with an expression of quiet confidence, bordering on melancholy.
The artist has rendered her skin tone with a delicate luminosity, contrasting sharply with the deep shadows enveloping her. Her hair is styled in the elaborate fashion characteristic of the late eighteenth century, piled high and adorned with feathers and what seems to be a decorative tassel hanging from the hat. The hat itself is broad-brimmed and dark, adding an air of formality while also hinting at a stage presence.
The costume consists of a dark jacket or bodice laced up the front with red ribbon, paired with a white lace collar that frames her neck and décolletage. This combination suggests both elegance and a degree of theatricality. The fabric appears to be rich and textured, contributing to the overall impression of luxury and refinement.
The subtexts within this portrait are layered. The costume immediately evokes associations with performance and role-playing. Given the woman’s direct gaze, it is not merely a depiction of someone in costume but rather an embodiment of a character – one who possesses both vulnerability and strength. The dark background serves to isolate her, suggesting a sense of introspection or perhaps even a feeling of being set apart from society.
The overall effect is that of a woman caught between worlds: the private sphere of personal identity and the public realm of performance and representation. Theres an underlying tension present – a suggestion of hidden depths beneath a carefully constructed exterior. The muted color palette, dominated by dark greens, reds, and whites, reinforces this sense of complexity and restrained emotion.