Agostino Brunias – West Indian Women of Color, with a Child and Black Servant
c.1780. 31×25
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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To her right stands another woman, adorned with a vibrant, patterned head covering – a striking contrast to the first woman’s more subdued attire. This figures posture is more assertive; she places one hand on her hip, conveying a sense of authority or perhaps self-possession. Her clothing consists of a white blouse and a long skirt, accented by a red scarf around her neck.
A young child clings to the second woman’s leg, partially obscuring her lower body. The childs presence introduces an element of familial connection and domesticity into the scene. A man stands slightly behind the women; he carries a basket in his hand and wears a distinctive red waistcoat over a white shirt. His posture is more deferential than that of the women, suggesting a subordinate role within the group dynamic.
The background reveals a dense foliage, punctuated by what appears to be a palm tree – a clear indicator of a tropical setting. The landscape is rendered with a degree of naturalism, though the details are somewhat softened, contributing to an overall sense of idealized beauty.
Subtleties within the painting hint at complex social dynamics. The differing attire and postures of the women suggest distinctions in status or role, while the man’s position and demeanor imply a hierarchical relationship. The inclusion of the child reinforces notions of family and lineage. The landscape itself serves not merely as a backdrop but also as a symbolic representation of the environment that shapes these individuals lives – a place of both beauty and potential hardship. The gaze of the woman on the left, directed beyond the immediate group, might be interpreted as an indication of aspirations or anxieties related to their position within this society.