#37862 Emilio Tadini

The composition presents a stark juxtaposition of disparate objects against a solid black background. A wooden chair, rendered in dark brown tones with a single red circular element embedded within its backrest, occupies the upper portion of the frame. Its posture suggests an arrested movement, as if it were caught mid-tilt.
Below the chair, a stylized depiction of a horse dominates the lower half. The equine form is constructed from geometric shapes – primarily rectangles and trapezoids – creating a fragmented, almost mechanical appearance. A small orange pitcher rests on its back, positioned slightly off-center. This placement introduces an element of unexpectedness and visual imbalance.
Above these elements, in a curved arrangement, appears text in red lettering: MAGASINS REUNIS. The font is bold and assertive, suggesting a commercial or promotional context. A thin, horizontal line extends from the upper edge of the frame, intersecting with the chair’s leg, possibly representing a structural element or a visual connector between the objects.
The overall effect is one of deliberate artificiality. The flatness of the background and the simplified forms contribute to a sense of detachment and abstraction. The combination of familiar objects – chair, horse, pitcher – in an unfamiliar arrangement invites speculation about their symbolic meaning. One might interpret the fragmented horse as representing a loss of naturalness or authenticity, while the chair could symbolize domesticity or stability disrupted by the intrusion of the unexpected (the pitcher).
The text’s presence suggests that this is not merely an artistic exploration but also a piece intended for public consumption, likely advertising or promotional material. The stark contrast between the objects and the background emphasizes their individual forms, drawing attention to their unusual pairing within a commercial setting.