Patrick van der Strict – PO bcs 14 1900 Germain Course de Spa
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The driver, clad in protective goggles and dark attire, is positioned behind the wheel, his posture conveying focus and control amidst the chaos of the race. A second figure, presumably a mechanic or passenger, leans precariously from the side of the car, seemingly engaged in some task related to its operation. The number 16 appears on the opposite side of the vehicle, indicating another competitor close behind.
The background establishes a European urban setting. Buildings with multiple windows and balconies line the street, their facades rendered in muted tones that contrast with the intensity of the foreground action. A striped awning suggests a commercial establishment, adding to the sense of everyday life disrupted by this spectacle of speed. The presence of onlookers is implied but not explicitly depicted; instead, we see a discarded hat lying on the ground near the front wheels, hinting at the suddenness and force of the vehicle’s passage.
The subtexts within the work revolve around themes of modernity, progress, and the burgeoning fascination with mechanized transportation in the early 20th century. The depiction of this automobile race speaks to a period of rapid technological advancement and the accompanying excitement surrounding new forms of mobility. Theres an element of risk and potential danger inherent in the scene – suggested by the billowing smoke, the precarious positioning of the passenger, and the abandoned hat – underscoring the novelty and uncertainty associated with these early racing events. The composition conveys a sense of fleeting moment, capturing not just the speed of the vehicle but also the transformative impact of technology on society and its visual representation.