Patrick van der Strict – PO bcs 51 1924 Minerva c
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The motorcar itself occupies a prominent position, rendered in a pale yellow tone that contrasts with the background. Its design suggests a model from the early 1920s, characterized by its open-top configuration and relatively large wheels. The vehicle is shown in motion, albeit implied rather than explicitly demonstrated; it appears to be traveling along a winding road.
Two figures are seated within the car. A man, dressed in what seems to be formal attire – a long coat with a red collar – is positioned behind the wheel, while a woman sits beside him. Her posture and clothing suggest an air of sophistication and leisure. The artist has chosen to depict them from the side, emphasizing their engagement with the surrounding environment rather than focusing on individual portraits. A third figure, presumably a child, is visible in the rear seat, adding a familial dimension to the scene.
The lower portion of the image features stylized foliage – likely trees or shrubs – rendered in shades of yellow and green. These elements contribute to the sense of an idyllic countryside setting. Text appears at the bottom, identifying the manufacturer as MINERVA MOTORS alongside additional details regarding its corporate structure (SOC. ANONYME) and location (ANVERS).
Subtly, the image conveys a message about aspiration and social status. The motorcar is not merely presented as a mode of transportation but as a symbol of prosperity and refined taste. The inclusion of the family suggests that this vehicle caters to those who value both functionality and luxury. The landscape setting reinforces the idea of freedom, exploration, and an elevated lifestyle – a promise implicitly linked to ownership of the featured automobile. The overall aesthetic leans towards Art Deco sensibilities, characterized by its streamlined forms, elegant typography, and a sense of optimistic modernity.