Portrait of William Morris Charles Fairfax Murray (1849-1919)

The drawing presents a man in profile, seated and turned towards the right. He is depicted with considerable detail in his facial hair – a full beard and mustache dominate the lower portion of his face, obscuring much of the neck. The artist rendered the hair as thick and somewhat unruly, contributing to an overall impression of ruggedness. His gaze is directed forward, suggesting contemplation or perhaps a distant focus.
The man’s attire consists of what appears to be a loose-fitting jacket or coat, its folds indicated with quick, expressive strokes that suggest both volume and texture. The hands are clasped in his lap, positioned low on the frame, which further emphasizes the figures posture and stillness. He is seated in a chair, only partially visible, adding depth to the composition.
The background is minimal, consisting of a vertical plane that seems to represent a wall or architectural element. This stark backdrop concentrates attention entirely on the subject. The monochromatic palette – a range of browns and tans – creates a muted, almost sepia-toned effect, lending an air of solemnity and timelessness to the work.
The inscription at the upper left corner, though partially obscured, appears to contain a name and date, suggesting a portrait commissioned or created as a record of a specific individual. The style of drawing – characterized by loose lines and tonal variations – implies a rapid execution, possibly a study or preliminary sketch rather than a finished piece.
Subtly, the work conveys an impression of intellectual depth and perhaps even melancholy. The man’s posture and expression suggest introspection, while the restrained color scheme contributes to a sense of quiet dignity. There is a certain weightiness conveyed by the figures presence, hinting at a personality marked by seriousness and possibly burdened by thought.