Part 1 – Bartholomeus I Bruyn (1493-1555) - John Reidt, mayor of Cologne
1525. 63x45
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The man is dressed in rich fabrics indicative of status. He wears a dark beret, which casts shadows across his forehead and cheekbones, adding depth to his features. A crimson garment, likely a robe or tunic, covers his torso, contrasted by a black sash diagonally crossing it. The fabric’s texture appears meticulously rendered, demonstrating the artists skill in depicting material qualities. On his hand, a prominent ring is visible, further reinforcing his position of importance. He holds a rolled document, secured with what seems to be a ribbon or cord; this suggests civic responsibility and potentially legal or administrative duties.
Flanking the figure are two heraldic shields, one on each side. These emblems likely represent familial affiliations or municipal authority, providing visual cues about his lineage and position within society. Above him, inscribed in capital letters, is a date – “ANO. 1525” – anchoring the portrait to a specific moment in time. A small sprig of laurel adorns the upper right corner, a traditional symbol of victory or honor.
The overall effect is one of solemnity and gravitas. The limited color palette – dominated by reds, blacks, and greys – contributes to this mood. The lighting is carefully controlled, highlighting key features while leaving other areas in shadow. This creates a sense of depth and volume, enhancing the realism of the portrayal. Subtly, theres an impression of a man burdened with responsibility, someone who has witnessed significant events or carries considerable weight on his shoulders. The directness of his gaze suggests both confidence and perhaps a degree of caution.