Berthe Morisot – In the Bois de Boulogne
before 1880. 61×73.5
Location: National Museum (Nationalmuseum), Stockholm.
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The woman seated in the chair wears a striking blue jacket and a straw hat, her posture suggesting a contemplative stillness. Her gaze is directed towards the other figure, establishing a connection between them that transcends the act of flower gathering. The second woman, clad in a light-colored dress, is positioned lower in the frame, her body angled away from the viewer, emphasizing the natural curve of her spine as she reaches for blossoms. This positioning creates a sense of movement and dynamism within an otherwise tranquil scene.
The artist’s brushwork is loose and fluid, prioritizing the capture of fleeting moments and sensory impressions over precise detail. The lack of sharp outlines and defined forms contributes to the overall feeling of spontaneity and immediacy. The background recedes into a hazy distance, populated by indistinct trees and foliage, further emphasizing the foreground figures and their interaction with the natural environment.
Subtly, the painting explores themes of companionship and connection within nature. The act of gathering flowers can be interpreted as a symbol of nurturing or shared pleasure. The differing postures and attire of the women suggest distinct personalities brought together by a common experience. There is an underlying sense of privacy and seclusion; these figures are removed from the bustle of everyday life, immersed in a moment of quiet contemplation within a secluded woodland setting. The overall effect is one of gentle observation, inviting the viewer to share in this intimate tableau.