Favourite, one of King Karl XI’s riding horses David Klöcker Ehrenstråhl (1629-1698)

The composition centers on a dark-coated horse captured in mid-stride, its hooves suspended momentarily above the ground. The animals musculature is rendered with considerable detail, conveying both power and grace. Its mane and tail billow outwards, suggesting movement and vitality. A stark contrast exists between the deep black of the horse’s coat and the lighter tones of the background, which serves to emphasize its form and presence.
The setting appears deliberately constructed rather than a naturalistic landscape. Behind the animal, one observes architectural elements: substantial stone pillars, a monolithic obelisk, and what seems to be a distant cityscape punctuated by towers or spires. The ground beneath the horse is uneven, composed of scattered stones and earth, adding texture and grounding the scene. A small, inscribed tablet rests in the lower left corner, its text obscured but suggesting an element of commemoration or documentation.
The artist’s choice of backdrop introduces a layer of complexity beyond a simple portrait of an animal. The classical architectural elements evoke associations with antiquity, grandeur, and perhaps even imperial power. The obelisk, particularly, carries connotations of permanence and historical significance. This juxtaposition of the powerful equine form against this monumental setting elevates the subject beyond mere representation; it implies nobility, strength, and a connection to enduring values.
The subdued palette contributes to an atmosphere of solemnity and restrained elegance. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, which further enhances the dramatic effect and draws attention to the horse’s dynamic pose. The overall impression is one of controlled energy and dignified presence, suggesting a subject worthy of considerable respect and admiration.