David Klöcker Ehrenstråhl (Attributed) – The wellmother at Medevi well and his two sons
Location: National Museum (Nationalmuseum), Stockholm.
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Flanking him are two younger men, positioned slightly behind and to either side. The man on the left has dark, unruly hair and a somewhat troubled expression; he too holds a vessel, this one appearing more like a small pitcher or ewer. The figure on the right is lighter in complexion with fair hair, his face partially obscured by the central figure’s beard. He raises a glass towards the viewer, an action that could be interpreted as offering, blessing, or simply acknowledging their presence.
The composition is tightly framed, emphasizing the figures proximity and creating a sense of intimacy or shared experience. The lighting is dramatic, highlighting facial features and the metallic surfaces of the vessels while leaving much of the background in shadow. This contrast directs focus onto the individuals and suggests an importance attached to them.
The presence of the jugs and glass introduces elements that hint at ritual or sustenance. Given the context of a wellspring, these objects likely symbolize water – a vital resource and potentially associated with healing or purification. The older man’s prominent position and bearing suggest he might be a figure of authority, perhaps a guardian or caretaker connected to this source of water.
The arrangement suggests a familial connection; the younger men could be his sons, as indicated by their proximity and shared lineage. However, the lack of overt emotional display – no smiles, no demonstrative affection – introduces an element of ambiguity. The scene feels less like a celebratory family portrait and more like a formal record of individuals bound together by circumstance or duty.
The overall impression is one of gravity and tradition, hinting at a narrative rooted in local custom and perhaps even folklore surrounding the wellspring itself.