Coelestin Fredrik Guthermuth (1643-1703) * David Klöcker Ehrenstråhl (1629-1698)

The portrait presents a man depicted from the chest upwards, set against a dark, indistinct background. He is positioned centrally within the frame, his gaze directed towards the viewer with a somewhat solemn expression. A voluminous wig of dark brown hair dominates the upper portion of the composition, cascading down around his shoulders and partially obscuring the contours of his face.
The man’s attire suggests a position of some social standing. He wears what appears to be a richly textured coat or cloak, rendered in shades of orange-brown that contrast with the darker tones surrounding him. A glimpse of a ruffled shirt collar and an elaborate lace jabot are visible beneath the outer garment, indicating attention to detail and refinement in his personal presentation. His left arm is bent at the elbow, resting across his torso, adding a sense of relaxed composure.
The lighting within the painting is subdued, with soft illumination highlighting the man’s face and upper body while leaving much of the background shrouded in shadow. This creates a focus on the subjects features and emphasizes the texture of his clothing. The artist employed a limited palette, relying primarily on earth tones to convey a sense of gravity and formality.
A handwritten inscription is visible along the lower edge of the painting, partially obscured by damage or wear. Its legibility is compromised, but it likely contains identifying information about the sitter or the work itself. A number 16 appears in the upper right corner, possibly indicating an inventory or catalog designation.
The overall impression conveyed is one of restrained dignity and quiet authority. The man’s direct gaze and formal attire suggest a desire to project an image of respectability and status. The subdued lighting and limited color palette contribute to a mood of solemnity and introspection, hinting at the sitters character or perhaps reflecting the conventions of portraiture during his era.