James Clark – Street in Jerusalem 2nd September 1886
w/c on paper
Location: Palestine Exploration Fund, London, UK
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The perspective is oblique, drawing the eye deep into the passage. A makeshift awning or shelter extends across the foreground, constructed from timber and canvas, providing a shaded area that contrasts with the sun-drenched walls. This structure suggests an adaptation to the environment, a practical response to the intense sunlight characteristic of the region.
Several figures populate the scene, though they are rendered in a somewhat indistinct manner. A seated individual is visible beneath the awning, while further down the passage, a man and a small flock of sheep occupy the space. Their presence contributes to the sense of everyday life unfolding within this confined setting. The scale of the sheep relative to the human figures emphasizes the importance of animal husbandry within the community.
The light plays a crucial role in shaping the mood of the work. A bright, diffused light illuminates the scene from above, casting shadows that accentuate the texture and depth of the buildings. This creates a sense of enclosure and intimacy, while also highlighting the architectural details. The sky is visible only as a pale wash of blue between the structures, reinforcing the feeling of being hemmed in by the surrounding walls.
Subtly, the painting conveys an impression of quiet resilience. Despite the apparent poverty and simplicity of the surroundings, theres a sense of enduring stability – the buildings have stood for generations, and life continues within their shadow. The scene is not one of despair or hardship, but rather of a community adapting to its environment and maintaining a connection to tradition. The absence of overt signs of wealth or modernity reinforces this impression of timelessness and cultural continuity.