Pass Tanghla (sketch) Roerich N.K. (Part 3)

The composition presents a landscape dominated by layered forms and a restricted palette. A luminous yellow-orange fills the upper portion of the canvas, acting as a backdrop against which a series of undulating hills are arranged. These hills transition in color from a deep violet at the base to lighter shades towards their peaks, creating a sense of depth and recession.
Above this foreground, snow-capped mountains rise sharply, their forms simplified into geometric shapes. The stark white of the snow contrasts with the warmer tones below, drawing immediate attention to these elevated features. A band of dark green foliage punctuates the lower hills, adding textural variation and suggesting a dense vegetation cover.
The artists brushwork appears deliberate yet somewhat loose, contributing to an overall impression of immediacy and sketch-like quality. The application of paint is relatively flat, minimizing modeling or shading that would create a highly realistic depiction. This stylistic choice emphasizes the formal qualities of shape, color, and composition over representational accuracy.
Subtly, theres a sense of isolation conveyed by the scene. The absence of human presence and any indication of habitation reinforces this feeling. The landscape appears vast and untouched, suggesting a reverence for nature’s power and scale. The limited color range contributes to a mood that is both serene and somewhat melancholic, evoking a contemplative atmosphere. The simplification of forms might be interpreted as an attempt to distill the essence of the scene, focusing on its fundamental structure rather than intricate detail.