Roerich N.K. – And ye that labor # 4 (and we work)
1922. Tempera on canvas. 71.5 x 101.7 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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The color palette is restricted to warm tones – primarily yellows, greens, and browns – creating a hazy, dreamlike atmosphere. The background features indistinct mountains shrouded in mist, contributing to the sense of distance and isolation. A body of water stretches across the lower portion of the canvas, its surface reflecting the pervasive yellow light.
In the foreground, a procession of figures moves along a path leading towards the fortified structure. Each figure is clad in dark robes and carries a bucket, suggesting labor or some form of communal task. Their posture appears stooped, hinting at toil and perhaps resignation. The uniformity of their attire and movement emphasizes their collective identity rather than individual personalities.
The painting’s subtexts revolve around themes of faith, community, and the burden of work. The imposing architecture likely symbolizes spiritual authority or a system of governance, while the figures labor implies a hierarchical structure where individuals contribute to its maintenance. The muted color scheme and hazy atmosphere evoke a sense of melancholy or introspection, suggesting that the depicted activity is not necessarily joyful but rather an obligation undertaken within a larger framework.
The artist’s deliberate simplification of forms and reduction of detail creates a symbolic representation rather than a realistic depiction. This approach invites viewers to contemplate the broader implications of faith, labor, and societal structures beyond the immediate visual scene. The overall effect is one of quiet contemplation on the human condition within an established order.