Roerich N.K. – Fiat Rex (triptych). # 46-48 (# 46)
1931. Canvas, tempera. The central part is 119.5 x 91.5 cm, the left part is 119.4 x 25.9 cm, the right part is 119.7 x 25.7 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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Here we see a central figure positioned against a backdrop of intense blue hues radiating outwards in a manner suggestive of divine illumination or power. This individual appears to be undergoing some form of ordeal; they are depicted on what seems to be a cross, and their posture conveys both suffering and solemnity. The face is partially obscured by shadow, adding an element of mystery and perhaps representing the unknowable nature of sacrifice or spiritual trial.
Flanking this central scene are two standing figures, each positioned within arched recesses that create a sense of enclosure and reverence. They appear to be dressed in robes, their faces exhibiting expressions of quiet contemplation or solemn witness. The color palette for these flanking figures is warmer than the central panel, with yellows and reds creating a contrast that draws attention to them while simultaneously highlighting the darkness surrounding the central figures suffering.
The ground beneath each figure is rendered in deep, earthy tones – purples and browns – that contribute to an overall feeling of gravity and solemnity. The landscape appears barren and desolate, reinforcing the sense of isolation and hardship associated with the central event.
Subtly, a sense of tension permeates the work. While the flanking figures seem stable and composed, the central figure’s position and the turbulent background suggest a struggle or transition. The color choices – the cool blues against the warmer tones – further amplify this contrast, hinting at opposing forces or spiritual realms in conflict. The overall effect is one of profound introspection, inviting contemplation on themes of sacrifice, faith, and the human condition.